I’m a product leader working across AI, personalization, discovery, and real-time experiences.

I lead products from early concepts and prototypes through launch, adoption, and scale.

The Origin

I grew up in Puerto Rico, where music was never background noise; it was how people gathered, remembered, celebrated, and belonged. Salsa on Saturday mornings, music spilling from speakers at the beach, and reggaetón closing the night shaped the question I still ask in product work:

What makes people care enough to come back?

Two people playing piano outdoors while a group of people stand watching nearby.

That question followed me from music to travel to live events. In arenas, stadiums, and concerts, I kept seeing the same pattern: people return to experiences that make them feel part of something.

That is the product lens I bring: behavior first, technology in service of the moment.

A person with long hair, glasses, and a cap, working on a laptop covered with stickers, on a rooftop with a cityscape in the background.

The Craft

I’ve led across a 60+ person product and technology organization and later led a 23-person AI Applications portfolio. Site Sentry went from concept to market in seven months, with Google as its first customer, and contributed to a $145M sales pipeline. I also originated Orbis, a shared memory and reasoning layer that became a differentiator across approximately $300M in commercial opportunity.

I move comfortably between vision and execution: framing the problem, prototyping quickly, making decisions with incomplete information, and building the structure teams need to ship.

People sitting at outdoor café tables in front of a building with a green cross pharmacy sign, while others walk by on the street in an urban area.

The Drive

A black-and-white photo of a man and woman outdoors, both wearing dark jackets. The man has glasses and shoulder-length hair, looking downward. The woman, with long hair and sunglasses, appears to be showing something on a device they are both looking at. In the background, there are buildings and chimneys.

I think about products the same way I think about photographs: the craft is not capturing everything, but deciding what deserves attention.

The Throughline

Every case study here is different. They all share the same belief:

Products become durable when they respect how people actually behave, decide, and feel.

Doble exposure shot on medium format film. Film photography capturing a boat, a girl and river town. A study in perspective and framing the narrative.
Double exposure shot on medium format film. A visual study on layering context and identity, mirroring the portfolio's theme of complex systems.
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